هاوس (موسيقى)

موسيقى الهاوس هي نوع من أنواع موسيقى الرقص الالكترونية بدأ إنتاجها وتداولها في مدينة شيكاغو الأمريكية في بداية ثمانينات القرن العشرين.[1][2][3] وكانت أول اغاني الهاوس يصنعها الدي جيز في المدينة من هذا النمط الموسيقي تبث في مرقص "ووتر هاوس" ومنه اشتق اسم هذه الموسيقى. يعتبر فرانكي ناكليس الذي كان الدي جي المقيم بالمرقص أول من احترف إنتاج أغاني الهاوس والذي اختار وضع نمط موسيقي جديد يمتاز بإيقاع منخفض، وبصوت قريب من الأصوات المستخدمة في موسيقى الفانك.

لمعانٍ أخرى، انظر هاوس (توضيح).

مراجع

Burning Down the House: Read SPIN's 1986 Feature on Chicago's Club Scene—New York has rap. Washington has go go. Chicago's got house, the boldest dance music on the planet. Put a little tickle on the jones' head, and jack yo' body.SPIN magazine. Spin Media. "Farley claims he invented house music. House music is HARD disco. It goes BOOM BOOM BOOM BOOM with little variation, subtlety, melody, instrumentation — or music for that matter. House, by definition, ain't crossover. It's in the house, and it won't come out. [...] Like لاري ليفان, Knuckles mixed dubbed-up inspirational electronic funk cult jams by the Peech Boys and D Train with '70s black disco classics by Loleatta Holloway and South Shore Commission. [...] They called this sound Warehouse music. For short, house music." 2014-04-01 (re-issue of a November 1987 article). Retrieved 2014-04-25. "نسخة مؤرشفة". Archived from the original on 26 أبريل 2014. اطلع عليه بتاريخ 24 ديسمبر 2017. الوسيط |CitationClass= تم تجاهله (مساعدة)صيانة CS1: BOT: original-url status unknown (link)
Chip E. (interviewee); Hindmarch, Carl (director) (2001). Pump Up The Volume (Television production). القناة الرابعة البريطانية. If you were a DJ in Chicago, if you wanted to have 'the' records, there was only one place to go and that was Importes. This is where Importes was. People come in, they're looking for 'Warehouse music', and we would put, you know, 'As heard at the Warehouse' or 'As played at the Warehouse', and then eventually we just shortened that down to – because people also just in the vernacular, they started saying 'yeah, what's up with that 'House music' – now at this time they were talkin' about the old, old classics, the Salsoul, the Philly classics and such – so we put on the labels for the bins, we'd say 'House music'. And people would start comin' in eventually and just start askin', 'yeah, where's the new House music?' الوسيط |CitationClass= تم تجاهله (مساعدة)
"Dirty South Teams Up With Axwell, Rudy For 'Dreams'". MTV. 22 March 2017. مؤرشف من الأصل في 20 ديسمبر 2017. اطلع عليه بتاريخ 21 أكتوبر 2017. الوسيط |CitationClass= تم تجاهله (مساعدة)

بوابة موسيقى
بوابة الولايات المتحدة

في كومنز صور وملفات عن: هاوس

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[1] Burning Down the House: Read SPIN's 1986 Feature on Chicago's Club Scene—New York has rap. Washington has go go. Chicago's got house, the boldest dance music on the planet. Put a little tickle on the jones' head, and jack yo' body.SPIN magazine. Spin Media. "Farley claims he invented house music. House music is HARD disco. It goes BOOM BOOM BOOM BOOM with little variation, subtlety, melody, instrumentation — or music for that matter. House, by definition, ain't crossover. It's in the house, and it won't come out. [...] Like لاري ليفان, Knuckles mixed dubbed-up inspirational electronic funk cult jams by the Peech Boys and D Train with '70s black disco classics by Loleatta Holloway and South Shore Commission. [...] They called this sound Warehouse music. For short, house music." 2014-04-01 (re-issue of a November 1987 article). Retrieved 2014-04-25. "نسخة مؤرشفة". Archived from the original on 26 أبريل 2014. اطلع عليه بتاريخ 24 ديسمبر 2017. الوسيط |CitationClass= تم تجاهله (مساعدة)صيانة CS1: BOT: original-url status unknown (link)

[2] Chip E. (interviewee); Hindmarch, Carl (director) (2001). Pump Up The Volume (Television production). القناة الرابعة البريطانية. If you were a DJ in Chicago, if you wanted to have 'the' records, there was only one place to go and that was Importes. This is where Importes was. People come in, they're looking for 'Warehouse music', and we would put, you know, 'As heard at the Warehouse' or 'As played at the Warehouse', and then eventually we just shortened that down to – because people also just in the vernacular, they started saying 'yeah, what's up with that 'House music' – now at this time they were talkin' about the old, old classics, the Salsoul, the Philly classics and such – so we put on the labels for the bins, we'd say 'House music'. And people would start comin' in eventually and just start askin', 'yeah, where's the new House music?' الوسيط |CitationClass= تم تجاهله (مساعدة)

[3] "Dirty South Teams Up With Axwell, Rudy For 'Dreams'". MTV. 22 March 2017. مؤرشف من الأصل في 20 ديسمبر 2017. اطلع عليه بتاريخ 21 أكتوبر 2017. الوسيط |CitationClass= تم تجاهله (مساعدة)